Portraits
Addie Andrews
Addie Andrews is an adult actress and glamour model whose career includes Vixen productions, magazine covers and live appearances. Before entering adult entertainment in 2019, she worked in Utah real estate and had long been interested in performing.
Addie Andrews
The person behind the name
Addie Andrews grew up in the Pacific Northwest and later moved to Utah. Her path to performing passed through university, religious life and a career selling homes. In her Penthouse interview, she spoke about enjoying real estate while recognizing that acting remained a personal ambition she wanted to pursue.
Her adult-film career began in 2019, the same year she became Penthouse’s June Pet of the Month. Early credits included a Vixen debut opposite Van Wylde, followed by live appearances in New York, California and Las Vegas. Later magazine work included a shared Hustler cover, broadening a career that has moved between film sets, photography and the stage.
Addie Andrews beyond the film setFrom the Pacific Northwest to Utah
Addie’s early geography is a story of two different settings: the Pacific Northwest where she grew up and Utah, where she moved as a teenager. Her Penthouse interview places that move within a period when she was looking for stability and a new direction.
She has spoken publicly about joining the Mormon church and working as a missionary. These experiences belong to her account of her own life, alongside education and employment. They provide context for her later choices without reducing her career to a single dramatic change.
Portraits
Selling homes before appearing on screen
Before adult entertainment, Addie worked in Utah real estate. She described obtaining her license with Century 21 and later working for Richmond American Homes. What she remembered about an early sale was the satisfaction of helping a family reach the point of buying a home.
She also drew a connection between selling and performing: both depended on engaging with people convincingly. In her account, presenting something well did not mean being untruthful. The earlier job gave her experience dealing with people directly, even as she continued to think about acting.
The first film chapter
Trade coverage from May 2019 introduced Addie as a newcomer who had entered adult entertainment earlier that year. Her Vixen debut was No Matter the Cost, with Van Wylde. That early credit became one of the clear reference points in her move into professional filming.
AMA Modeling represented her during this period. In its review of 2019, the agency discussed the relationship between Addie and Vixen Media’s brands, describing an interest shared by the performer and the production companies. It was an early business connection in her filmed career.
A Penthouse milestone
Penthouse identifies Addie as its June 2019 Pet of the Month. Her interview appeared in the combined May/June magazine issue, which explains why some contemporary announcements refer to both months while others use June alone.
The profile brought her background and personality into the same space as the photo feature. It discussed her previous work, the attraction of performing and her sense of making decisions for herself. The distinction was a monthly title; it should not be confused with the separate Pet of the Year award.
Portraits
Performance in a live setting
Addie’s work has also included feature dancing. Announced appearances in 2019 placed her at Sapphire 39 in New York, Spearmint Rhino in Oxnard and Sapphire Las Vegas. The California engagement was specifically promoted as her feature-dance debut in that state.
These bookings involved a different kind of audience contact from filming: stage performances were accompanied by opportunities for photographs and autographs. They show how her early public career developed in several settings at once, rather than remaining limited to studio releases.
A shared magazine cover
Addie and Chelsea Conrad appeared together on the cover of Hustler’s August 2021 issue. The accompanying pictorial extended across twelve pages and used a desert setting. This later magazine credit belongs to the photography side of her career.
The shared feature also distinguishes that appearance from her earlier individual Penthouse recognition. Magazine work, studio productions and live engagements each contribute a separate strand to her public record, with different collaborators, settings and ways of presenting her on camera.